$7,500 to cover the costs of including works by Moira Dryer (1957-1992) in As Painting: Division and Displacement, a group exhibition and accompanying catalogue, organized by guest curators Stephen Melville, Laura Lisbon, and Philip Armstrong. Canadian-born, Dryer worked in New York in the 1980s and 1990s creating large abstract paintings that employed process-oriented techniques. By incorporating objects such as boxes, handles or auto parts into her work, Dryer challenged conventional expectations of abstraction while celebrating the versatile nature of paint.